ECHOSCAPE created for Lenovo AIxploration 2.0 This year’s Lenovo AIxploration 2.0 brought together a range of artists, visuals and live elements across different disciplines. Alongside contributing to the corporate design and supporting the curation of participating artists, I was involved as part of the creator team and...
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An artist portrait of Henning Herholz — creative director and motion designer based in Berlin, presented by Lenovo. The film offers a glimpse into his creative day-to-day and how he uses AI tools as an integral part of his process. Ein Künstlerportrait über Henning Herholz —...
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AFTER RAIN A visual work exploring the space between reality and light. Wet landscapes, fog and textures remain real – yet human presence appears barely as a luminous form. Only a faint trace suggests that something once was. The images open a threshold where the unspoken carries more weight...
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Concept and production of the live visuals for the TKKG tour: custom-created imagery in a graphic novel style, displayed on a pyramid behind the speakers – visually narrating the story. Konzeption und Produktion der Live-Visuals für die TKKG-Tour: eigens erstellte Bildwelten im Graphic-Novel-Stil, gezeigt auf einer...
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Sophisticated questions demand sophisticated visuals. For this brand campaign by DIE ZEIT, Studio ZX and I developed an animated visual language that doesn't illustrate the thought – it sets it in motion. Raffinierte Fragen brauchen raffinierte Bilder. Für diese Markenkampagne von DIE ZEIT haben Studio ZX...
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ASHROOT is a short cinematic fragment. A relic awakens — half organic, half forgotten. Woven roots, masked figures, burning straw. The land remembers what we chose to lose. Set in a surreal fusion of tribal myth and speculative futures, ASHROOT unfolds like a dream you almost recall — dense...
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EIDOLON – Film Titel A speculative vision from the SIGNAL HALO project. In a near-future scenario shaped by experimental research, EIDOLON imagines the threshold where synthetic intelligence develops presence — not just processing power. Within the sealed core of a remote server cluster, something unfamiliar takes form: fluid,...
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SAND PHANTOM is a visual study of gravity, isolation, and the relationship between machine and landscape. In the middle of a vast, dusty dune, objects begin to levitate, lights pulse, and surfaces seem to breathe. The camera moves with precision—almost meditatively—as if following something invisible....
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Game Over – The Fall of Credit Suisse – Graphics & Animation Package For the documentary series and feature film “Game Over – The Fall of Credit Suisse”, Jan Sommer and I were responsible for creative direction, developing and producing the graphics and animation package –...
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